Tuesdays, February 12 – March 26 (skip February 19)
Anaïs Nin wrote that “something is always born of excess”, and urged the writer to “learn to intake, to imbibe, to nourish yourself and not be afraid of fullness.” Perfectionism and self-consciousness can keep early drafts from being as overflowing and as experimental (in terms of content as well as form) as they should be; but once the excess has been channeled, the shaping can begin, and the workshop can be an invaluable and energizing space in which to tackle this shaping. In these generative sessions, we will explore the possibilities of early drafting, inviting fullness and looking towards shape; we will look at story and backstory, voice and interiority, context and subtext, and at the formal and stylistic decisions which will bring a piece of fiction to its most powerful shape. Novels in progress and stories are both welcome, preferably in early drafts or in drafts that are open to rethinking and regeneration, but if you are submitting a novel, we will ask to read from page 1. We will read published short stories and essays which invite consideration of the notions of fullness and of moving forward from excess to coherence, from apparent chaos to the possibilities already in evidence on the page.
Belinda McKeon is a novelist and playwright. Her most recent novel is Tender (2015), which was shortlisted for Irish Novel of the Year and the Encore Award. Her debut, Solace, was published in 2011 and won the Faber Prize as well as being named Irish Book of the Year. She has published fiction and non-fiction in Granta, A Public Space, The Paris Review, The New York Times, The Guardian and elsewhere. Her edited collection, A Kind of Compass: Stories on Distance, was published by Tramp Press in 2015. As a playwright, she has had work produced in Dublin and New York. Her most recent play was Nora, a version of Ibsen's A Doll's House, produced by Corn Exchange at the Dublin Theatre Festival. She lives in upstate New York and teaches at Rutgers University.